THE NEW WORLD CARTOGRAPHY IN SAGER’S MOSAICS

By mapping an area, or a continent, or even a metropolis, a map designer assures the people’s influence has well assorted beyond the margins of any specific narrative, which they have already expected, not just the margins which the scene is taking place, but the façade beyond the margins, the geometric structure in charge for creating the façade and maintaining them, the natural resources that contributed, and all the rest.

According to Rachel, maps are beautifully designed blueprints, which contribute to a wandering human sight. A searching sight may differ, however, the act and desire will remain constant. Terra Incognita, the unknown land, is a term found in many ancient maps and used to highlight the unexplored territories, in vibrant and imaginative themes. Having spent the last several years in self-imposed map history research, she has internalized many of the topics and cultures of cartography. By centering on one single concept, Terra Incognita, she created her series of mosaics, which gave her a clear vision and liberty to explore the boundaries of her medium.

This mosaic collection can be honored in two distinct levels. The first level is about the momentum concept of exploration. While the second level is about aesthetics, materials, and more aesthetically oriented. Mosaic is an art form deeply interconnected with materials. Stone, glass, ceramic, recycled or purchased; the mosaicist is always aware and respectful of her medium. The aesthetics in the maps of Rachel lead the spectator in contemplation and studies of the colors and textures, following the place they might lead, not a particular but imaginative space.